Love Dolls: Elegance for Synthetic Female Enthusiasts

Lovedolls (sexdolls or synthetic females) are advantageous in terms of offering sexual pleasure without relationship complications, pregnancy, or sexually transmissible diseases. They are also very expensive and of questionable durability (issues resolvable by mass production and distribution).

Let's face it. Guys have tremendous sexual needs. Go a few days without ejaculating and the average guy feels like his nutsack is going to explode. Even the best relationship does not always offer relief on demand not to mention the availability of variety. Hell an average guy could (and probably would) own four or five dolls if the damned things were more affordable.

They look pretty good although there is always room for improvement. The boobs look a little, well, plastic and tend to have uniformity in shape and width of areolas. I like big areolas but most sex dolls have small and uniformly round ones. I also like variety in pigmentation and texture. And what about a BBW or mature or celebrity sex doll?

Uniformity in Sex Doll Breasts and Areolae


How About a Little Variety?




We will be posting more on this subject in the future. Stay with us.

Pernell Roberts: May 18, 1928 - January 24, 2010

Born in Waycross, Georgia, Pernell Roberts, who like his Bonanza co-star Michael Landon died of pancreatic cancer, might have been thought throughout much of his life as something other than an easy man. In 1965, he walked away from a dream role on a successful series, Bonanza, at the height of its run in order to follow his own star. He held high principles and fought racism and sexism on screen and off at a time when doing so was thought by many to be exceedingly liberal. He was there with Dr. King marching in Selma.

His words speak volumes. He once said, "I was teaching a Sunday school class at one of the churches in Waycross, Georgia, where I grew up. And the lesson dealt with equality and all of us being one under the eyes of God. All of a sudden it hit me!! This isn't true! The church was - is- the most segregated place one day a week there is in our country. And it's so ironical and so tragic that here's a philosophy which preaches and teaches human understanding and brotherly love and practices, in essence, the most vicious form of human relationship there is."




Of his role as Adam Cartwright, Roberts said, "I had six seasons of playing the eldest son on that show. Six seasons of feeling like a damned idiot, going around -- me, like a middle-aged teenager, saying, 'Yes, Pa,' 'No, Pa' on cue. It was downright disgusting -- such dialogue for a grown man. I felt I wasn't being taken seriously as an actor, and that's like death to one's talent...Stuck as Adam Cartwright, I was only able to use about one-tenth of my ability."

While confident of his acting ability, Roberts was upfront about his shortcomings having flunked out of Georgia Tech and later the University of Maryland. He served two years in the United States Marines and worked as a forest ranger, railroad worker, and butcher as he was honing his acting abilities.





Following his dreams did not lead to immediate success. It was not until 1979 that he landed another major television role, this time as the lead of Trapper John, M.D., a series that ran through 1986.

Janet Lupo

Janet Lupo, whose last name is obviously some variation of the word, "wolf," impressed Senior Lopilopo first because of her eyes. There was also something distinct and regal about her. Everyone comments upon her being well-endowed. Yes, this is obvious, but her beauty comes from within. There is a fire burning deep within her smoldering in her eyes.



Biography

Janet Lupo (born 26 January 1950 in Hoboken, New Jersey) is an American model known chiefly for the enormity of her bust. She was Playboy magazine's Playmate of the Month for its November 1975 issue. Her centerfold was photographed by Pompeo Posar.

Janet grew up in Hoboken, New Jersey and is of Italian, Czech and Irish descent.







In April 1974, Janet became a Bunny at the Playboy Club's Great Gorge Resort in northern New Jersey. While working there, she was asked a number of times if she wanted to take a photo test to become a Playboy Playmate. Finally, in March 1975, Pompeo Posar was able to persuade her to give it a try.







Family reactions to her appearance in the November 1975 issue were mixed. Her father was very upset about it, but her mother liked it. Eventually, her father did come around, and he became very supportive of her decision. After touring the United States, Canada and Japan to promote Playboy, Janet started working as a bartender at a restaurant owned by a friend's husband.







In early 1977, Janet moved to Key Biscayne, Florida and became a flight attendant. According to Janet, when the other flight attendants found out that she had been in Playboy, they harassed her and tried to get her fired. She left on her own, and two years later, the airline went bankrupt.

By 1981, Janet was back in New Jersey and had a license to sell real estate. She marked another accomplishment in 1986 by having a son, with her long time partner Mark Settembre. A few years later, she picked up a cosmetology license.







Janet Lupo: the Biggest bust of all the Playmates?
Although she is sometimes touted as the "biggest boobed Playmate" (she was introduced as "the bustiest Playmate" in Japan Playmate photo book "Playmates 312"), that distinction is perhaps best accredited, based on data published by Playboy, to Rosemarie Hillcrest, Miss October 1964, whose measurements were 41-25-38 at the time of her pictorial. However bust size measurements are notoriously inconsistent and difficult to compare ("like comparing cantaloupes to coconuts"), so breast fetishists may never have a conclusive answer to this conundrum. She is still considered one of the most famous and prodigiously endowed Playmates of the Month.







Janet has since made two comebacks, first in a April 1984 Playboy pictorial, Playmates Forever! Part Two and in 1998, on her own website. She makes annual appearances at Glamourcon.



Copyright: This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article on Janet Lupo.

Inspiration: Loopy De Loop

Not much difference between Loopy De Loop and Lopilopo is there? Of course, not. Loopy was not bad. He was just misunderstood. Of course, the sheep were afraid of him. In spite of his best efforts to the otherwise, he was, in terms of species at least, a top-shelf predator.



One could make the case that Loopy, a popular cartoon character from 1959 through 1965, the height of the Civil Rights struggle, was a clever and subtle symbol of the wrongs of prejudice and racism. Who could suspect such a deep message from such a funny anthropomorphized character?



Voiced by the incredible Daws Butler, Loopy was a French-Canadian transplant who always tried to help but also always got run out of town because, well, he was a wolf. The message was clear if gently humorous. You cannot judge a book by its cover.



A great debt of gratitude is owed Hanna-Barbera for such an elegant and pioneering effort. So subtle most people might have over looked it but Senor Lopilopo is not most people.

Cowboy Hat: Elegance Durable and Functional

The official story is that John Stetson, recently diagnosed with tuberculosis, traveled west. During his journey he needed a hat. Just so happens that he was a hatmaker's son. He knew the craft. He developed what came to be known as the Boss of the Plains the first cowboy hat. Now be honest. Is this the first image that pops into your mind when you think of cowboy hats?


Frankly, the first hat that I think of is the slouch hat that saw lots of service for both North and South in the American Civil War. The design below is the Stetson Cavalry hat, a slouch hat. It is worth noting that slouch hats were not unique to the United States but found around the world in various form such as the Australian bush hat which differed only in having one side of its brim pinned against its crown.



The cowboy hat is also reminiscent of the Mexican sombrero.





While the sombrero served the peacock egoism of the vaquero, charro and gaucho, the cowboy hat evidenced the American cowboy's practicality. It was functional and durable. It didn't need to impress with garish colors or fancy designs. It got the job done quietly and efficiently.